Director: Stella Meghie
“Everything, Everything” (2023) is a heartwarming and visually stunning adaptation of the popular young adult novel by Nicola Yoon.
The film tells the poignant story of Maddy Whittier, a teenager who has spent her entire life confined within her home due to a severe autoimmune disease. Her world is transformed when she begins a forbidden romance with Olly Bright, the charming boy next door.
The film is a romantic drama that delves into themes of love, freedom, and self-discovery. Amandla Stenberg, who plays Maddy, delivers a compelling performance, capturing the character’s innocence, curiosity, and yearning for a life beyond her four walls. Stenberg’s portrayal brings depth to Maddy, making her a relatable and sympathetic character.
Nick Robinson stars as Olly, and his portrayal of the adventurous and caring neighbor complements Stenberg’s performance perfectly. The chemistry between the two leads is palpable, and their relationship feels authentic and heartfelt. Robinson’s Olly is more than just a love interest; he represents the outside world and the freedom that Maddy desperately craves.
The direction by Stella Meghie is commendable. She manages to create a visually engaging film despite the limited setting of Maddy’s home. The use of vibrant colors and imaginative dream sequences helps to convey Maddy’s inner world and her rich imagination. These visual elements add a layer of depth to the narrative, making the film not just a love story, but also a journey of self-exploration and growth.
The screenplay, written by J. Mills Goodloe, stays true to the essence of the novel while making necessary adaptations for the screen. The dialogue is sharp and often poignant, capturing the emotional highs and lows of the characters. The pacing of the film is steady, allowing the audience to fully immerse themselves in Maddy and Olly’s evolving relationship.
One of the film’s strengths is its exploration of Maddy’s relationship with her mother, Pauline, played by Anika Noni Rose. Pauline’s overprotectiveness is rooted in her fear of losing Maddy, but it also becomes a source of tension as Maddy begins to yearn for independence. Rose’s performance adds a layer of complexity to the story, as she portrays a mother torn between love and control.
The soundtrack of “Everything, Everything” is another highlight, featuring a mix of contemporary tracks that enhance the film’s emotional resonance. The music choices are well-curated, matching the film’s mood and the character’s emotional states.
However, the film is not without its flaws. Some critics have noted that the plot twist towards the end might seem implausible or rushed to some viewers. Additionally, while the film does an excellent job of exploring Maddy’s internal world, it occasionally glosses over the more nuanced aspects of living with a chronic illness.
Despite these minor shortcomings, “Everything, Everything” is a touching and visually appealing film that successfully captures the spirit of Nicola Yoon’s novel. It’s a story about the transformative power of love and the importance of taking risks to truly live. With strong performances from its leads and a thoughtful approach to its source material, the film offers a moving and memorable cinematic experience. Whether you’re a fan of the book or new to the story, “Everything, Everything” is a film that will stay with you long after the credits roll.