Director: Sam Levinson
Directed by Sam Levinson, Malcolm & Marie is a daring cinematic endeavor that eschews the typical extravagance of contemporary filmmaking. Instead, it offers an intense, dialogue-centric examination of a single, emotionally charged night in the lives of its central couple. Featuring John David Washington as Malcolm, an emerging filmmaker, and Zendaya as Marie, his girlfriend, the film unfolds entirely within their lavish yet secluded home after the premiere of Malcolm’s latest project.
The film’s tension is palpable from the outset, rooted in a simmering argument that escalates dramatically, sparked by Malcolm’s oversight in failing to acknowledge Marie during his speech. This initial conflict ignites a night filled with accusations, introspection, and profound emotional disclosures. The entire narrative revolves around a verbal duel between the two characters, where they dissect each other’s insecurities, shortcomings, and traumas.
Levinson’s decision to film in black and white heightens the raw emotional resonance of the characters. By removing the distraction of vibrant colors, the audience is drawn to the dialogue, body language, and the compelling performances of both leads. This visual choice imparts a timeless quality to the film, evoking the essence of classic theater where the strength of the narrative lies in the actors’ delivery and script.
John David Washington infuses Malcolm with a volatile, at times magnetic energy, portraying an artist wrestling with the external pressures of his success. Although his character exudes confidence, he is undeniably flawed, and Washington adeptly navigates this complexity. In contrast, Zendaya delivers a standout performance as Marie, showcasing a nuanced portrayal that oscillates between vulnerability and fierce resilience. She gradually unveils the layers of her character, revealing a woman who is deeply wounded and struggling to find her place in Malcolm’s world.
The film’s relentless dialogue can be both its greatest strength and a potential weakness. On one hand, it creates an immersive experience, making the audience feel like silent witnesses to the emotional turmoil. On the other hand, the continuous back-and-forth, devoid of significant tonal shifts or relief from the tension, may become overwhelming or repetitive as the narrative unfolds.
Another contentious aspect of the film is its meta-commentary on the filmmaking process and criticism. Malcolm’s lengthy monologues on the intersection of race and art can come across as self-indulgent, almost as if Levinson is using the character to express his own frustrations with the industry. While these discussions raise pertinent issues about identity and artistic interpretation, they can sometimes detract from the personal dynamics at play between the characters.
In the end, Malcolm & Marie is a film that divides opinions and elicits strong reactions. Its intimate and stripped-back storytelling allows the actors to shine, yet the unyielding dialogue and absence of narrative diversity may alienate certain viewers. The film thrives on its raw emotional intensity, prompting audiences to reflect on whether it serves as a cathartic exploration of relationships or an exhausting, overly stylized experience. For those who appreciate performances that delve into the complexities of love, ego, and resentment, Malcolm & Marie offers a compelling viewing experience.